![]() ![]() Ringk’s copy abounds in Italian tempo markings, fermatas (a characteristic feature of Ringk’s copies) and staccato dots, all very unusual features for pre–1740 German music. It is most probably a later addition, similar to the title of Toccata, Adagio and Fugue, BWV 564, because in the Baroque era such organ pieces would most commonly be called simply Prelude (Praeludium, etc.) or Prelude and Fugue. The title of the piece is given in Ringk’s manuscript as Toccata Con Fuga. Several compositions by him survive, and he is also notable today for his copies of numerous keyboard works by Georg Böhm, Johann Pachelbel, Johann Heinrich Buttstett, Dieterich Buxtehude, and other important masters. The only near-contemporary source is an undated copy by Johannes Ringk, a pupil of Johann Peter Kellner. HistoryĪs with most Bach organ works, no autograph manuscript of BWV 565 survives. ![]() The attribution of the piece to Bach, however, has been challenged since the 1970s by a number of scholars. First published in 1833 through the efforts of Felix Mendelssohn, the piece quickly became popular, and is now one of the most famous works in the organ repertoire. The Toccata and Fugue in D minor, BWV 565, is a piece of organ music attributed to Johann Sebastian Bach.
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